Journal of Dance & Somatic Practices

 

Journal of Dance and Somatic Practices (ISSN 1757-1871) is an international refereed journal published twice a year by Intellect. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts.

 

In recent years, somatic practices have become more central to many artists’ work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions.

This journal will provide a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal will serve a broad international community and will invite contributions from a wide range of discipline areas. Particular features will include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays’, interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.

Principal Editor

Sarah Whatley (Coventry University)


Associate Editors

Kirsty Alexander (University of Stirling)

Natalie Garrett Brown (Coventry University)

Emma Meehan (Coventry University)


Editorial Assistant

Hetty Blades (Coventry University)

Rebecca Stancliffe (Coventry University)


Book Reviews Editor

Katerina Paramana (Coventry University)

Marie-Louise Crawley (Assistant, Coventry University)


Online Editor

David Bennett (Coventry University)


Editorial and Advisory Board

Jane Bacon (University of Chichester)

Henrietta Bannerman (London Contemporary Dance School)

Glenna Batson (Winston-Salem State University)

Carol Brown (University of Auckland)
Vincent Cacalano (Manchester Metropolitan University)

Teri Carter (Independent Artist, USA)

Trude Cone (Independent Artist, Netherlands)

Cecilia De Lima (INET-MD, Portugal)
Katy Dymoke (Embody-Move Association, UK)

Sylvie Fortin (University of Quebec)

John Habron (Coventry University)

Linda Hartley (Institute for Integrative Bodywork & Movement Therapy, UK)

Polly Hudson (Birmingham City University)

Thomas Kampe (Bath Spa University)

Joe Moran (Independent Artist, UK)

Rebecca Nettl-Fiol (University of Illinois at Urbana-Champaign)

Ludmila Pimentel (University Federal of Bahia, Brazil)

Lionel Popkin (University of California, Los Angeles)

Susanne Ravn (University of Southern Denmark)

Leena Rouhiainen (Theatre Academy, Finland)

Sarah Rubidge (University of Chichester)

Jayne Stevens (De Montfort University)

Brenton Surgenor (Hong Kong Academy for Performing Arts)

Amy Voris (University of Chichester)

Amanda Williamson (University of Chichester)





Contact

jdsp.ad [at] coventry.ac.uk

Aims & Scope

Call for Papers

We invite contributions in varied formats. Writing that combines images and illustrations is encouraged, as is reflective writing. Standard articles will be in the range of 4000-6000 words. A more flexible approach may be possible for other formats and styles of submission but contributors need to work within the existing Journal design template (a free to view issue is available on the Intellect website as illustration). If a contributor wants to deviate from the template it must be discussed with the Editor first and prior to submission. Themes might include:

  1. *The pedagogical philosophy of somatics and how this might be seen to challenge or negate dominant approaches to learning and creativity

  2. *The history of somatic practices

  3. *The current application of somatics to dance/performing arts training and education

  4. *The aesthetic implications of working with/from a somatic understanding

  5. *The ‘body’ as a site of discourse in western culture, the influence of eastern cultures on notions of embodiment and how somatic practices challenge/collude with these ideas.

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Back Issues

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Latest News...

  1. BulletCall for Papers - Special Issue 9.1;
    Bodily Undoing: Somatics as Practices of Critique [click for details]
    DEADLINE EXTENDED to 1st May 2016

  2. Latest Issue 7.2 now available online

  3. BulletOpen Call for Papers received all year round: please send articles to Hetty Blades  ac1417 [@] coventry.ac.uk

  4. BulletSAVE THE DATE - Fourth Dance & Somatic Practices Conference 7th - 9th July 2017

Notes for Contributors [click for file]

PLEASE TAKE NOTICE OF THE REQUIREMENT TO SEND ATTACHED ARTICLES ‘ANONYMIZED’ (see Format of Submitted Articles)


Contributors need to work within the existing Journal template in terms of design and lay-out (see above). More playful contributions are welcomed, particularly those that include images, but if a contributor has a particular idea in mind that might deviate from the template they must contact the Editor first to discuss the possibilities and prior to submitting a contribution that is necessarily dependent on a lay-out that deviates from the template. (Click for further Guidance Notes)

Image: Christian Kipp
www.christiankipp.com

Now indexed by European Index for the Humanities and Social Sciences ERIH PLUS
as well as Elsevier’s
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